- CLOSE-OUTS (SALES)
- BARGAIN BIN
- BEADMAKING & FLAMEWORKING
- ACCESSORIES AND FINDINGS
- BEADHOPPERS
- BEADMAKING CHEMICALS & CONSUMABLES
- BORO BATCH GLASS
- BOROGLOW TUBING
- BOROSILICATE GLASS DECALS by HENDRIXSON
- BOROSILICATE MILLEFIORI CANE
- BULLSEYE GLASS - COE 90
- CHINESE GLASS
- CLEAR BOROSILICATE TUBING & ROD
- CREATION IS MESSY (CiM) GLASS
- CRUSHED OPAL TUBING & RODS
- DICHROIC FRIT
- DICHROIC GLASS
- DICRO SLIDE
- DOUBLE HELIX GLASS
- DREAM TUBING CO. - DICHROIC BORO TUBING
- DREAM TUBING CO. - DICHROIC BORO CANE
- EFFETRE GLASS
- FAIRY DUST - SIMULATED DICHROIC
- FILIGRANA ROD & TUBING
- FRIT BLENDS - SOFT GLASS
- FUMING
- GILSON & DOPALS OPALS
- GLASS ALCHEMY GLASS
- GLASKOLBEN
- GLOW POWDER
- GOLDSTONE & AVENTURINE
- GREASY GLASS
- GROUND GLASS JOINTS
- ACCUGRIND GROUND GLASS JOINTS
- CHINESE CLEAR GROUND JOINTS
- DIFFUSERS
- GERMAN GROUND GLASS JOINTS
- KECK CLIPS
- LENZ GROUND GLASS JOINTS
- QUARTZ GROUND GLASS JOINTS
- THREADED GLASS VIALS
- UNGROUND GLASS JOINTS
- 10mm GROUND GLASS JOINTS
- 12mm GROUND GLASS JOINTS
- 14mm GROUND GLASS JOINTS
- 19mm GROUND GLASS JOINTS
- DEWAR GROUND GLASS JOINTS
- HEAT DEFENSE PADS
- HIGH TEMPERATURE TAPES & ADHESIVES
- KUGLER GLASS - 104 COE
- LAMPWORKING KILNS
- LAUSCHA GLASS
- LEAF, FOILS, TUBING, DISCS, WIRE & GRAIN, INSERTS
- LINED TUBING by BESPOKE GLASS
- LUMIERE LUSTERS™
- MICA POWDERS
- MILLEFIORI
- MOMKA GLASS
- MURRINI - GALAXY
- NORTHSTAR GLASS
- OCEANSIDE GLASS & SYSTEM 96 RODS
- ORIGIN GLASS
- PARRAMORE GLASS
- PDX TUBING
- QUARTZ ROD & TUBING
- REDUCTION FRIT
- REDUCTION RODS
- REICHENBACH 104 GLASS
- SAFETY SUPPLIES - EYEWARE, GLOVES, ETC.
- SAMPLE SETS
- STREAKY STRINGERS AND RODS
- THOMPSON ENAMELS
- TAG - TRAUTMAN ART GLASS
- TOOLS - LAMPWORKING
- BEAD CREATORS
- BEAD & MARBLE MOLDS
- BENCH ROLLERS
- BLOWHOSE ADAPTORS (BOOTS)
- BLOWHOSE, SWIVELS, STOPPERS, CORKS
- BLOWPIPES
- CARBON RODS
- CLEANING TOOLS
- CUTTING & SCORING TOOLS
- DESIGN PUSHES
- FINISHING TONGS
- FLARING TOOLS
- FRIT TRAYS, FRIT SIFTERS, FRIT MAKERS
- GRAPHITE PADS
- GROUND GLASS JOINT TOOLS
- HEMOSTATS
- HOLDING FINGERS - GRABBERS
- IMPLOSION TOOLS
- JACKS
- LATHE TOOLS
- MANDRELS
- MARBLE MOLDS
- MASHING TOOLS
- OPTIC MOLDS
- MEASURING & MARKING TOOLS
- PADDLES
- NECKING TOOLS
- PUSHES
- RAKING & POKING TOOLS
- REAMERS
- REPLACEMENT PARTS
- SHAPING TOOLS
- SHEARS
- SOPHIETA or PUFFER TOOLS
- SCULPTING TOOLS
- TWEEZERS & HOLDING TOOLS
- TORCHES, BURNERS AND ACCESSORIES
- BEVELS
- BEVEL CLUSTERS
- EXQUISITE BEVEL CLUSTERS
- GLASSMATE NATURE SERIES
- GST (GLASSMITH) - CLEAR
- GST (GLASSMITH) - COLOURED
- HARMONY BEVELS
- INFINITY BEVEL CLUSTERS
- ANGEL BEVEL CLUSTERS
- ANIMAL BEVEL CLUSTERS
- ASTROLOGY BEVEL CLUSTERS
- BIRD BEVEL CLUSTERS
- CELTIC BEVEL CLUSTERS
- CORNER & BORDER BEVEL CLUSTERS
- FLORAL BEVEL CLUSTERS
- HEART & RIBBON BEVEL CLUSTERS
- HOLIDAY AND OTHER MISC. THEMED BEVEL CLUSTERS
- MUSICAL BEVEL CLUSTERS
- NAUTICAL BEVEL CLUSTERS
- PRIARIE BEVEL CLUSTERS
- PROFESSIONAL BEVEL CLUSTERS
- RELIGIOUS BEVEL CLUSTERS
- STAR BEVEL CLUSTERS
- BOOKS & PATTERNS
- STAINED GLASS PATTERN BOOKS A - D
- STAINED GLASS PATTERN BOOKS E - I
- STAINED GLASS PATTERN BOOKS J - K
- STAINED GLASS PATTERN BOOKS L - Q
- STAINED GLASS PATTERN BOOKS R - S
- STAINED GLASS PATTERN BOOKS T - Z
- ETCHING
- FUSING
- HOLIDAY & RELIGIOUS
- INSTRUCTIONAL & REFERENCE BOOKS
- LAMPS
- LAMPWORKING & JEWELLERY
- MOSAIC & GARDEN
- NATURE & ANIMALS
- PAINTING
- PROJECTS
- STYLES & THEMES
- WINDOWS & DOORS
- CAME, FOIL, METALS
- CHEMICALS & CONSUMABLES
- FRAMING
- FUSING
- ACCESSORIES & FINDINGS
- ADHESIVES
- BULLSEYE GLASS
- DICHROIC GLASS
- DISPLAY STANDS & WALL MOUNTS
- FRIT BLENDS - 96COE
- FUSING PAPER, BLANKET & CONSUMABLES
- FUSIBLE PAPER & DECALS
- FUSING GLASS PACKS
- FUSING KITS
- FUSING MOLDS
- BOTTLE SLUMPING MOLDS
- CASTING MOLDS - COLOUR DE VERRE
- CASTING MOLDS - CPI (CREATIVE PARADISE)
- CASTING RINGS
- DOOR KNOB MOLDS & HARDWARE
- DROP, DRAPE and SLUMP MOLDS
- LAMP MOLDS
- NOVELTY MOLDS
- OVAL MOLDS
- POT MELT MOLDS
- RECTANGULAR MOLDS
- RELIGIOUS THEMED MOLDS
- ROUND MOLDS
- STAINLESS STEEL MOLDS
- STAND-UP MOLDS
- SQUARE MOLDS
- TEXTURE MOLDS
- WEAVE MOLDS
- FUSING TOOLS
- GLOW FRIT (FUSING)
- GLASSLINE PAINTS
- KILNS & ACCESSORIES
- KILN MATS - WOVEN
- MICA POWDERS & FAIRY DUST (SIMULATED DICHROIC)
- MILLEFIORI & MURRINE
- OCEANSIDE COMPATIBLE & SYSTEM 96 GLASS
- OVERLAYS for FUSED & STAINED GLASS
- PRE CUT FUSIBLE GLASS SHAPES
- SAFETY SUPPLIES - EYEWARE, GLOVES, ETC.
- THOMPSON ENAMELS
- TWISTED CANE
- WALL MOUNTING SYSTEMS
- WISSMACH 96 FRITS
- YOUGHIOGHENY 96 FRITS
- GLASS SHEETS - FUSIBLE
- GLASS SHEETS - NON FUSIBLE
- GRINDERS, BANDSAWS, CAME SAWS
- HAND TOOLS
- JEWELRY
- JEWELS, GLOBS, RONDELS
- LAMP BASES & ACCESSORIES
- MERCHANDISE
- MOSAIC & PATIO STONE
- PAINTING
- STAINED GLASS BEGINNER KITS
- SUNDRIES
TAG - TRAUTMAN ART GLASS
There was a time when American artistic lamp workers only worked with clear borosilicate glass; these were the guys making little glass menagerie animals at the carnival or Disneyland. The Italian soft-glass sculptors had colour but the Pyrex glass workers used paint, or, if so inclined, mixed chemicals into some of their clear glass by hand to make a little bit of colour for their sculptures. Then came Paul Trautman.
Immersed in both the arts and sciences, Paul worked with neon and played with the artistic side of lampworking, including the art of hand mixing colour. At one point in his career, he even made lab equipment, but Paul was thinking big. By the mid-1980’s, Paul Trautman had conceived, designed, and built the world’s first commercial operation to manufacture coloured borosilicate rod glass. Northstar Glassworks set the standard for modern boro colour production, and now several small companies are using Paul’s techniques to manufacture coloured glass. These companies also use recipes pioneered by Paul, which expanded the borosilicate glass palette from a few red and blue transparent colours into bright opaque jewel tones and highly reactive metallic colours that shift their hue depending on the atmosphere of the flame.
Paul sold Northstar in 2002, intending to return to art and his own lab, but the urge to mix colour (and requests from his fans) lured Paul back to manufacturing on a smaller scale. After perfecting his recipe for a self-striking ruby red—the now hugely popular Red Elvis—Paul started working on both a new palette and on improving some old favourites.